Upwork for Artists - A Review

As I outlined in my previous post, I first started freelancing almost two years ago. I didn't know what I was doing. One of the first things I did when I was trying to find jobs was what many others might do in my situation—I turned to Google. I did a web search for "freelance jobs," and that is how I found Upwork.

Upwork is a website where many companies and individuals from around the world find freelancers for their various jobs. The idea is that they post a description of what they need done, and freelancers can then bid on them by submitting their rate, cover letter, and portfolio, where applicable. The company chooses whom to hire from the submitted proposals.

Upwork was a lifesaver for me as I was starting out. When life happened, and circumstances forced me to finally commit to working from home, I had no idea where to begin—hence the googling.

There are definitely pros and cons to Upwork, especially as it pertains to work in creative fields, such as graphic design and illustration. I want to share how my experience has been so far, in the hopes that it will help other artists who are deciding whether to use Upwork as well.

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The Pros

Pro #1: Upwork is a good option for beginners.

So many jobs are posted on Upwork constantly, all with a huge variety of tasks, scopes, experience levels, etc. The jobs range from those that are small and quick to larger long-term projects. At first, I eased myself in with smaller jobs. The great thing about the site (and being a freelancer) is that you can pick and choose what jobs you apply to and accept. Once you are hired, you can use these jobs as an opportunity to develop experience with real-world design work and following client briefs and technical specifications.

Pro #2: Upwork is one way to find regular clients.

Finding a good client can be a difficult task (read more about that under Con #1), but once you do, you could end up developing a relationship with steady work, which is crucial for success as a freelancer. I have a few clients myself that I have been working long-term with—some pretty regularly, and others coming back to me every once in a while.

The Cons

Con #1: You must weed through a lot of "bad" jobs and clients.

After you've set up your Upwork profile, the first step, of course, is to find a job.  You can search by keyword or category based on what you're interested in. Unfortunately, this is where you'll have to do a lot of browsing and analyzing to find the "good ones."

Here comes one of the major problems when finding creative jobs on Upwork. The "starving artist" is a popular cliché born out of the (IMO erroneous) idea that art is frivolous or easy, which causes many to devalue the work that goes into creating it. This makes it hard for artists to get paid fairly for their time and skill. This is SO apparent on Upwork. When I browse through the various listings, I am often shocked and disgusted by what some of these clients are asking for versus what they want to pay and how fast they want it done. Not only that, but you are competing with artists who will actually accept their terms.

Just as an example, I once took on a job to do 40 adult coloring book designs for—and I'm ashamed to admit it—a flat fee of $60. Forty full-page drawings for $60, as in $1.50 per page. This was such a mistake, and I don't even believe I ever did it. And I KNEW it was a mistake, but I rationalized it by saying to myself that I was doing it for fun and experience, so it was just a throwaway job anyway. There were so many red flags in the job description. Of course, there was the low, low budget. Not only that, but the client strictly refused to accept any higher bids, and you know why? Because they already had artists that were working at that rate, so they insisted it was typical pay for that amount of work (which, of course, is absolutely ridiculous, and a good example of how artists who compromise can hurt other artists—a discussion for another day). They promised consistent work and up to $30 a day if you could do 20 designs daily. First of all, who draws that fast? And second, who works all day to earn a whopping total of $30? Say it takes you a half an hour to do one drawing (and that's for sure underestimating by A LOT) that's 10 hours of work at $3 per hour. The drawings will be junk, because you rushed through them. Oh, and you give up all rights to the art (more on that under Con #2 below). So anyway... boy, was I stupid. Learn from my mistakes. Don't take jobs like this, even if you just want the experience. It's just not worth your time—you would be better off working on a personal project for your portfolio.

The sad thing is, though this example is extreme, it is difficult to find anyone on Upwork who is willing to pay over $25 a page for adult coloring designs, and most offer $5 to $15. And I've seen many, many other illustration and design jobs on Upwork that are equally sad. (For example, children's book illustration is another difficult field to find quality jobs on Upwork.) I can't say that I haven't compromised on rates since that awful experience (sometimes, you just need money, right?), but I've been slowly working up to a higher standard. I still have a long way to go before I'm a roaring success, but I've learned that with some searching, patience, and hard work, the good jobs eventually come through.

 Con #2: Jobs on Upwork are all work-for-hire by default.

According to Upwork's official terms (emphasis mine)...

"Upon Freelancer’s receipt of full payment from Client, the Work Product, including without limitation all Intellectual Property Rights in the Work Product, will be the sole and exclusive property of Client, and Client will be deemed to be the author thereof."

I'm no expert in these things (I'm an artist, not a lawyer.) but this part is important. The default contract for all Upwork jobs is categorized as work-for-hire, as in the client owns all work created for them during the course of your contract. So basically, you have NO rights to any of the designs that are created for that job. Make sure you understand that when going in. Even if all you want to do is use an image for your portfolio, it is best to get permission from the client. (I have had clients who did not want me to use designs in my portfolio, and others who have been fine with it.) But in the end, you don't even have the legal right to be credited for your work.

Con #3: Upwork has HIGH fees.

Upwork takes 20% of whatever you make up to the first $500 with a client, and then 10% beyond that, and 5% after $10,000. Ostensibly, this is to encourage the development of long-term client/freelancer relationships. But... TWENTY PERCENT! In my opinion, this is a HUGE chunk to take from the freelancer, especially when you're trying to get established. An illustration agent might hypothetically take a similar cut, and they're out there actively promoting your work, finding you jobs, and helping you handle all your business affairs. Upwork provides a nice service, but they're not an agent—you're still doing a lot of that work yourself—so their fee is definitely a big downside. In addition, Upwork has an optional subscription to access other features, such as more "connects" to apply to more jobs per month and viewing competitors' bid amounts, but I haven't found that is something I need.

Summary

After taking all of this into consideration, here is a summary of what I think artists and designers need to know before using Upwork:

1. Charge what you're worth.

Evaluate on a case-by-case basis, but keep your standards high. I've gradually increased my rate as I've gained more experience and positive feedback on my profile. Get as much information about the job from the client as possible so that you are able to make an accurate analysis of the work to be done. Try not to make too many compromises. Make it clear from the get-go what is included in your fee and what isn't (particularly regarding jobs with flat fees). And if the unexpected comes up after hire, don't be afraid to ask for additional payment if you feel it is justified.

2. Understand work-for-hire.

Know what you're getting into, and take it for what it's worth. Jumpstart your freelance career and gain experience, but don't expect to retain rights to the work you do on Upwork, and if you don't know what you can or can't do, just ask the client and refer to the Upwork's terms.

3. For creatives, Upwork is best used as a stepping stone.

Given the whole work-for-hire situation, the sea of mediocre job posts, and ridiculous fees, I find that for artists, Upwork is best used for building professional experience and for those jobs that are, let's face it, just paying the bills. That's not to say you can't find great jobs and awesome clients on Upwork—you definitely can!

I, myself, have made it a goal to start pursuing other avenues to find clients and work. I just don't think Upwork is ultimately going to lead me where I want to go. But that's just me.

In the end, it's all about taking a step and putting yourself out there. Just don't put all your eggs in one basket. Explore other options as well. While Upwork may not be the best choice for artists, it can be a worthwhile tool if you use it the right way.

Sincerely, Nicole

Disclaimer: Please recognize that this is just my personal experience, and the advice and opinions expressed here may not apply the same to those in different fields or circumstances. And although I discuss a few legal issues, I am by no means an expert in such things (not even close) so I would suggest referring to Upwork's official terms here

Links

Upwork

My Upwork Profile

All Business, But Having Fun

My Journey Into Freelance Design and Illustration

My Journey into Freelance Design and Illustration

Buckle up, this is a long one, folks.

I am always inspired to hear other artists' stories of how they came to do what they do. Everyone's journey is different and has lessons others can learn from. Sometimes it's good to look back and think about the important stepping stones that led you to where you are today. By doing this, you can see how far you've come, where you are now, and where you want to go. That's kind of what I'll be doing in this post. I'm hoping it will be a good exercise for me to help me come up with the next steps I need to take to continue growing my little design business. But also, I want to share a bit more about who I am with you.

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My Beginnings—Always an Artist

I don't remember a time when I didn't love to draw and make things. I was always the artsy crafty type. I had a giant drafting table in my bedroom for a number of years, and a good collection of art supplies. I used to copy characters from the VHS covers of Disney movies. I remember one drawing in particular that I did of Belle from Beauty and the Beast. I was surprised with how well it turned out (at least to my young mind) and it encouraged me to develop my drawing skills further. I sought out shows on TV about the making of movies and animation. This was before the age of YouTube and DVDs—you really had to dig deep to find that type of stuff! Books were also a great resource. Art was always a favorite class in school as well.

With all of this, it might surprise you to hear that my main focus in high school was science and math. I did well in these areas (a little rusty now, though, haha) and thought that would be the sensible direction to take in my education and career. But still, art was always in the background. As a senior in high school, when I was thinking about majors, I was trying to find a way to use my science and math skills, as well as my art skills. In my mind, I thought one field might be a perfect solution: architecture.

College—Deciding My Future

When I look back on it now, it seems odd that I decided to enter college as an architecture major. It wasn't something I'd been particularly interested in before, but the idea of being able to make a living designing things was appealing. My first semester went ok. I had a couple architecture classes to start out with—one about drafting plans, which was kind of fun, and the other about building codes (boooring). All in all it was just...ok. Second semester came, and I took a Drawing 101 class. Even though it was an art class, it was required for architecture students. I was smitten. I'd found my place. That semester, I dropped architecture and became an art major, and never looked back.

It helped that my sister, Dani, was also an art major and I could go through my schooling with her by my side. (Sidenote: I attended the same college at the same time as my two triplet sisters.) To their credit, my parents never criticized my decisions. From the very beginning, they were always encouraging of whatever I or my sisters wanted to do. I'm sure they had their worries, but they were supportive nonetheless. Only now as I look back do I fully appreciate how that helped me get to where I am today, even if it meant I had to do a lot more meandering to get there, as you will see.

While my sister Dani focused on illustration (She works as a children's illustrator today), I stuck with the general art degree. I knew I wanted to work as an artist, but I didn't know how. Did I want to sell art in galleries? Did I want to do graphic design? Children's books? I just didn't know. And that's where I ended up by the time I graduated.

Getting Sidetracked—My Years in Book Publishing

For some months after college, I went through an uncertain phase that I think a lot of graduates experience— trying to find work but not wanting to settle for a boring office or retail job (because then what did I do all that work in school for?) but also needing to move out of your parents' and earn a living. It was hard for me to get out of my comfort zone, so I stayed close to home, which greatly limited my job prospects, especially for an art school graduate. I made a few weak attempts at sending out my portfolio and creating a few greeting cards (probably none of which I actually sold). Enter book publishing.

If you browse the classifieds for jobs, you'll find a lot of positions in service, medical, and labor—not exactly what I was looking for. But one day, I found a post seeking a typesetter for a nearby company that worked for major book publishers. No, I didn't have any experience, and it wasn't exactly "art" per se. But it was somewhat design-related, and certainly something I was willing to learn. I applied, interviewed, and was (thankfully) hired.

Fast forward 10 years. I eventually became a top typesetter in the small company, and then, eventually, the only in-house typesetter as the company went through several mergers and a bit of downsizing, and then switched to outsourcing the majority of production work. I learned a lot at this job. I became knowledgeable in book publishing procedures; familiarized myself with industry software (especially Adobe Indesign); and learned how to communicate with clients and work with fellow employees. Design-wise, I developed my skills in typography and book design. These years were invaluable to me.

Finding My Niche

As I settled into day-to-day life at my office job, the goal in the back of my mind was always to eventually work for myself from home doing something creative, even if I wasn't quite sure exactly WHAT I wanted to do just yet. I found ways to stay involved in creative things. I tried my hand at blogging with an arts and craft site called Niki Jin Crafts. Today, I still continue with it (now at Make Happy Things), but have yet to dedicate enough time and energy to make a living at it. Once in a while, I found time to draw and make art. Working on my portfolio was always on my to-do list, but I rarely accomplished anything.

An important step in my journey was when I discovered the world of surface pattern. I found a book about pattern design—a rather dry and academic book to read, yet it sparked something in me. I found it fascinating. I went online and found other artists and whole communities of surface pattern enthusiasts. This was a turning point in realizing the type of artist I was. I realized how much I loved decoration, flourishes, and repeats. And flowers—all the flowers! I've also since discovered a love for typography and hand lettering, which I attribute partially to my work with books. So now, after many years of wandering aimlessly, so to speak, I had a better idea of what I wanted to do.

 Life Changes—Out of My Comfort Zone

So you'd think that once I knew what I wanted to do that I would take action, right? Nope. I mean, yes, I did start taking workshops and learning from online classes, and I added some patterns and lettering to my body of work, but I stayed comfortably settled at my day job. Like I mentioned before, I'm not one to wander out of my comfort zone often. That, and I'm super great at procrastination.

Then, BAM!, all the changes started happening at once. Within just a few years, I fell in love, got married, and had a child. Then, to top it all off, I got pregnant again AND moved across the country so my husband could attend school. Having to leave my job, now I was basically forced to figure out a new direction in my career. There was a lot of pressure to succeed because I was the majority of my family's financial support since my husband was a student. Since there were also two babies to take care of, I decided to try freelancing so I could stay home with them.

So after years of wandering, floundering, and procrastinating, I FINALLY took the first definitive steps towards my end goal of working as a creative freelancer!

Leading up to my move and my departure from my office job, I started looking at the freelancing site Upwork for small side jobs to get the ball rolling. I applied for both jobs I knew I had the skills and experience for (i.e., book design), as well as the types of jobs I wanted to do, like illustration. The first months working full-time from home were a little slow. But I did get a job. Then another. Eventually, I had a few good clients to keep me busy with regular work. Yay, me!

Where I Am Today

I have only been freelancing full-time for about a year and half now. I would say the majority of the work I do is still book design and typesetting (which, don't get me wrong, I still rather enjoy), but illustration and design work is becoming more and more frequent, which is exciting for me!  With the occasional creative design job and my own personal projects I feel like I am in a great artistic phase in my life right now, which I hope only continues for a long time to come. To be honest, I am very blessed to be where I am right now. If you'd asked me a few years ago where I wanted to end up, I would've said that I wanted to work for myself from home doing something I love. And look at me now. I work from home designing books, drawing pictures, and taking care of two beautiful little girls. I've made it.

Where I Want to Go Next

As happy as I am now, there's always room to grow, especially since I'm only really just getting started. I would love for the illustration and design work to continue to develop. Perhaps it would be nice to eventually create and successfully sell my own products, rather than working solely for clients. There's always the matter of money as well. It always comes down to the bills, doesn't it? (Sigh) While I make enough to get by, let's just say I'm no millionaire. But I'm not talking about wanting a life of luxury. Rather, I think having some financial stability gives peace of mind, which allows for more freedom to pursue creative goals. I think that's a holy grail goal that many artists strive for. Also, I have a husband aiming towards medical school, so... hello, student debt.

One Last Piece of Advice

If I were to give advice to an artist or designer looking to freelance, I would say, in the words of Nike, JUST DO IT. Do what you have to do. I mean, yeah, be wise about it—save a little money, develop a good portfolio, do your research, and make sure you know your stuff. The thing is, I had everything I needed for years, I just didn't act. I think both fear and comfort contributed to my delay—fear, because I was afraid of failing, and comfort because my long-time job with all its benefits and steady pay was hard to leave. But once I got started, it honestly took me less time than I thought it would to gain traction—and that's even with having my second baby in the midst of it all. There's no secret to success. If you do the work, the results will come. It's just taking it one step at a time. That's not to say there isn't the possibility for failure, of course, but you'll never know if you don't try!

Sincerely, Nicole

Links

All Business, But Having Fun

About Me (the short version)

All Business, But Having Fun

Welcome to March, everyone. This is always an exciting month, because SPRING. For me, January and February get to be so gray and depressing with all the cold and wintery days. Going from February to March, however, brings promise of warmer weather, snow melting, and birds chirping—even though you might just be facing another month of winter, especially if you live in a place like my hometown in New England where snowstorms are still not uncommon in March. But still, it's almost over, and that makes me happy.

I was pleased with the results of my floral pattern project that I worked on last month. It really got me focusing on creating art, learning new things, honing my skills, and building my portfolio. In the past, those opportunities often got lost in the daily grind of my then office job, and now freelance client work (not to mention my two little ones who are so good at distracting me). By having an assignment, even though self-imposed, I found that I was more apt to set aside time to create something for myself almost every day, even when I was swamped with other things to do. And I didn't just use that time to work on the floral patterns. I sketched more, learned from online tutorials, read articles, and browsed Instagram and Pinterest for inspiration. It was like a part of my brain was always thinking about what I wanted to make, do, and learn next, and I want to keep that momentum going.

Now, with a new month comes a new theme and project. Last month was about color and florals. March will be something completely different. I've decided that this month's theme will be...

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Did you cringe? Eyes glaze over? Feel the urge to go back to Pinterest? If you didn't, you're a rare breed of artist. Approximately 99%* of creatives have a hard time with handling business matters (that's why we're artists). I certainly do. That being said, I'm not going to write extensive articles on how to keep track of your taxes or write contracts, because TBH, I'm still figuring all that out myself. This month will be more of a reflection of my freelancing experience so far, with a few common sense tips thrown in.

*Not a real statistic, but probably accurate.

My monthly project is way more exciting, though. I thought it would fun to change things up and do something I don't normally do—FAN ART. There are several reasons I chose this as my project:

  • I am a huge nerd at heart, and I love to look at pieces of fan art that other artists have done.
  • It would be a cool challenge to figure out how I would create fan art in my own style.
  • I'd love to incorporate my love of pattern design and hand lettering.
  • I can give some attention to other areas I don't often venture into, such as drawing characters or scenes.

So, something way different than the usual flowers, though I'll probably find a way to work those in anyway, haha.

To give you a taste of what's to come, here's a little preview. I saw The Black Panther on opening weekend and absolutely loved it! There is so much great design work in it, too.

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I'm not exactly sure what the final outcome of this project will be, maybe a poster of some sort. I'll just start out with sketches like I did last month and see where it goes. If you'd like to follow along, or share your own, use the hashtag #sturkartchallenge2018 on Instagram (@nicolejonessturk).

Sincerely, Nicole

February 2018 Project Results - Floral Patterns

Last day of February! I really enjoyed working on my floral patterns this month. I picked three of my favorites and created a mini collection of finished pieces.

Here are the original sketches. I united the three different ideas into one color palette, which is based on Pantone's Floral Fantasies theme.

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And here are the final patterns, created as vector art in Illustrator.

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Here are some alternate versions with simpler one and two color palettes.

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Thanks for following along with me! It was nice to accomplish something for myself that I can now add to my portfolio. I'm loving my monthly personal project idea so far! Stay tuned for something new in March...

Sincerely, Nicole

Links:

Pantone - Ultra Violet

This Month's Theme is...COLOR

Beyond Basic Color Theory—Four Things More Important Than the Color Wheel

How I Find My Colors